In what ways does your media product
use, develop or challenge forms and conventions of real media products?
For my media task I have been asked to create the opening
sequence to a thriller film. I decided to produce a crime thriller. I chose to
do this because it is my favourite sub-genre of thriller. I like crime
thrillers because they often mix a good storyline with plenty of action and
tension. In most thrillers the key
scenes are set at night time. In my thriller I have decided to use this
convention as the key part of the opening sequence is set at night time. The
part in question is the moment the victim is killed. In some thriller films the
plot may be revealed in the opening scene, however in my thriller opening I
have revealed clues as to what in particular the plot may entail. Thus in the
opening there are shots of the car driving around then towards the end of the
sequence we see the car thief attacking someone. As my film is called ‘The
Meeting Place’ this makes the audience ask where the meeting place is and what
will happen when the protagonist gets there.
The car thief element of my film was inspired by the film
Drive. I thought the idea of the getaway driver was clever and original so I
developed this choosing for my film to be centred on the car thief.
In most films the titles may
appear after the opening establishing scene. However in my opening I have
decided to show the titles during the opening scene. This could act as a
barrier between the dual narrative. I decided to opt for a dual narrative as I
feel it adds more excitement and drama to the opening of a thriller film. The
titles appear as text messages on a mobile phone. This is not conventional as a
lot of thriller films use computerised text over a background or a shot of the
setting for the film. This also shows
the audience that the main character uses the phone during the film and that
the mobile phone is a key prop to the plot.
The opening sequence to my thriller film uses the same conventional characters as most thriller films do, these being a victim and a killer. I decided to use this simple format as a result of my audience research. I found that a lot of people prefer simple hero/villain structures to film as they can watch it and not get too confused by complex plot lines.
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| Titles from se7en compared to my titles |
The opening sequence to my thriller film uses the same conventional characters as most thriller films do, these being a victim and a killer. I decided to use this simple format as a result of my audience research. I found that a lot of people prefer simple hero/villain structures to film as they can watch it and not get too confused by complex plot lines.
In my thriller sound plays a key part. There is no dialogue in
my opening as I feel that dialogue in an opening sequence may start to answer
questions before the film actually begins. The sound in my thriller was not
inspired by the soundtrack from a thriller film but instead from a tense scene
from an episode of Shameless. I found that the slow building music used in that
scene really created atmosphere and set the tone for the rest of the episode.
In the opening of my thriller I have used several typical
camera shots and camera angles that are synonymous with thriller films. For
example there are several shots of the victim using high angle shots. The first
of which is when the victim is doing his shoe laces up. This shot is used to
show vulnerability and is often a typical shot in thriller films as the
audience are looking down on that particular character and have a sense of
power over the character. The fact that the victim has his back turned to the
world also shows vulnerability as he cannot see behind him. This is reinforced
when he is attacked and killed from behind him.
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Another thing most thrillers do effectively is using lighting
to create shadows and darkness. I have used this convention in opening. The
shot where the killer walks out of the small passage uses this as at first the
audience can’t see him then he walks out of the darkness.
Often in thriller openings the victim knows they are a target
and can be nervous and tense. However in my thriller the victim goes about his
business as normal. This suggests that he is none the wiser to the forthcoming
attack. Another factor that suggests vulnerability is the fact that the man his
living on his own. This suggests that he has been singled out.
Many thrillers use flashbacks as a device to create tension
and enhance the storyline. In my thriller I decided to use a flashback. The
very slow tracking shots at the beginning of the scene are used to create
tension but are also foreshadowing what happens after the attack when the
killer steal the car. I filmed these shots on the day when weather conditions
limited me on what I could shoot and film outside. The shots are almost
dreamlike as I have added an ‘old world’ filter to them. I decided to do this
as it made the trees in the background become very dark and looked like dead
trees. I was going to use these shots at the same pace I filmed them but this
was not effective in creating tension, to do that I slowed the shots right down
and added the slow soundtrack.
I used the dual narrative to give the audience a taste of what
would happen later on in the film with the main character using the stolen car
to drive to the ‘meeting place’. Many thriller films are set in bleak bland
places to create a sense of isolation. I tried to do this with the shots of the
car being driven down country lanes. On those particular shots I used a day
into night filter to create a sense of bleakness and an atmosphere of
loneliness and isolation.
The use of lighting in parts of my opening was inspired by
film noir and films such as Double Indemnity. The use of shadows in films such
as this influenced my work as I used shadows and light to keep the identity of
my killer concealed. The attacker also walks out of the very dark passage where
the audience cannot actually see him. I developed this from Double Indemnity as
when the man enters the room the focal point of the shot is his shadow.



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